[-empyre-] re: Jorge Luiz Antonio, Jim Andrews - relational poetry and semiotics

[lmdk@nbnet.nb.ca]

Hi Jorge Luiz and Jim Andrews


	The work referenced in your posting "Brazilian Digital Art 
and Poetry on the web": 
http://www.vispo.com//misc/BrazilianDigitalPoetry.htm available 
through Jim Andrews site  http://www.vispo.com/ lists several 
relational collaborative works operating in different language 
registers.

	 In an earlier e-mail Padin mentioned his use of a 
translation engine. Operating in multiple registers I am curious as 
well about this shift from orality to text. In an earlier thread I 
mentioned that time-based poetry rendered through flash or other 
on-line animation feels processed in the manner of the spoken word, 
retaining something of orality expressed in real time. Also relevant 
I think there is something about Bakhtin's notion of personification, 
or the "ascription of agency to inanimate ideas and objects."

	How do multiple semiotic codes collaboratively imaged onto 
texts reflect  authorship and the "grain de la voix" the grain of the 
voice? There are numerous
multilingual poetic maps  posted on the webartery e-group.  Jorge 
Luiz, can you elaborate on the collaborative and interactive works 
involving Regina Celia Pinto and  Fatima Lasay 
http://www.geocities.com/imaginero/poetry?


Lea